Electronic Music Production:

• Sound Design
• A/V Interaction

Petarda- PUNK (SKRĪ remix)This is the section where you can listen to my latest releaseGenre: neurofunk / dnb

SKRĪ Links: Spotify - SoundCloud - IG

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NOT TYPE BEATSIn this section you can find every instrumental I made prior to 2022.If you want to use one of these beats just contact me here or on one of my social media: I'll send you the track without the tag at high resolution (format: wav - sample rate: 41kHz)._{N.B: I will add more beats as the time passes, so remember to check this section from time to time.}

LINKS: SoundCloud Playlist - IG

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Ingraph - ARTE (prod. SKRĪ)This is the first track I have produced that has been distributed under Sony Music Entertainment Italy S.p.A. - Zero Industry

INGRAPH Links: Spotify - Instagram

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Sound Design

• Electronic Music Production
• A/V Interaction

A/V Interaction

• Electronic Music Production
• Sound Design

What is Max-Jitter?

Jitter is a set of video, matrix, and 3D graphics objects for the Max graphical programming environment. The Jitter objects extend the functionality of Max/MSP with flexible
means to generate and manipulate matrix data (any data that can be expressed in rows and columns) such as video and still images, 3D geometry, as well as text, spreadsheet data, particle systems, voxels, or audio. Jitter is useful to anyone interested in real-time video processing, custom
effects, 2D/3D graphics, audio/visual interaction, data visualization, and analysis.
Since Jitter is built upon the Max/MSP programming environment, the limitations inherent in fixed purpose applications is eliminated. You are able to build the programs you want to use,
rather than being forced to work around someone else's idea of how things should be done.

An example of my workflow:

I have two different approaces to this matter:- animation of still images;- composition of 3D objects;1) In the first case I produce as many variations of a single image, this process is made by modifying the selected picture with different methods inside jitter (operation with matrixes, noise blending, glitching and so on). Once I have a decent pool of images I can start the animation process making all this variations interact in some way.Here you can see an example:

The result:

2) In the second case I program 3D objects inside the OpenGL enviroment, in this way I can set different parameters that can evolve over time. For instance, I could place a background and a straight line that intersects a sphere in front of it:

The result:

An Example of a Patch

The Max Enviroment lets you program with some "blocks" called objects insted of using text code, even if it is still possible to write lines of code inside Jitter.These objects are connected via patchcord, they are cables that link the objects' different input and outputs.For Example:

A message travels from one object to another thanks to the patchcords. Any instruction that can be send between these objects needs an input from us, the user. We can automate this input (called "bang"), but in this case you can see how I created a button that send a bang after I clicked it:

Now, when you put all these objects together you obtain what is call a "patch". This name derives from the very analog synth world, where you have to use those same patchcords to make the sound travel across your outboard.There are hundreds of objects and the possibilities are pretty much infinite.For example, down here you can see one of my patches called "Circles". At left you can see the patch and at right there is the output of what I have programmed:

If you want to give Jitter a shot you can start from this Introduction to MAX playlist from Federico Foderaro, down here:

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Services I Offer:

• BIO

S.D. for ADs and Short Films

If you are looking for a sound designer and a composer for your next video, AD or short film contact me here.I am open to any artistic direction, the more challenging the video the better it is.These are the services I can offer:
- Sound Design;
- Foley;
- Music Composition;
- Mixing of the whole work.The prices are not fixed, it all depends from the difficulty and the length of the video you want me to sonorize.If you want to see the full Sound Design catalogue click here.Some examples of my previous works, down here:

Mixing Your Tracks

I accept only a few music genre commissions for this service, this is due to my music background: I have been producing and mixing mostly EDM, Trap, Hip-Hop, Hyperpop and Glitch music. Because of this I can not guarantee the same quality I can deliver when working on genres I know best.If you are interested contact me here.You can listen to some different tracks I have produced and mixed down here:

** AWOKEN - SKRĪ**Genre: DnB, Neurofunk;
Description: This is a cinematic track made to fit a video of a chase inside a forest. This release is meant to be an exercise made to improve my skill in the sound design of the neuro-basses.

Links: Spotify - Visual

Ingraph - ARTE (prod. SKRĪ)Genre: Pop, Melodic Trap.
Description: Ingraph and I have been looking for a very nostalgic and introspective mood, so we decided to remove the drums from this track in order to give more space to the piano. Melody and Harmony have been written by me, no pre-recorded sample/loop has been used.

INGRAPH Links: Spotify - Instagram

Aaaa - CPM (feat SKRĪ)Genre: Industrial Techno
Description: one of my most favourite tracks I like to play to underground techno events. The idea was clear: making the dirtiest, but still intelligible, sound possible.

CPM Links: Spotify, Instagram

Simple - SKRĪGenre: House.
Description: a simple house track, very chill. Nothing crazy.

Artowork by: Inga Design

Music Production

• Music ProductionWe can build your next track together from the ground up.I produce Trap, Melodic/Emo Trap, Grime, Drill, Hip-Hop, Reggaeton and Hyperpop.I will follow you in every step of the process and you will always have the final say when it comes to your project. This is very important to me, I prefer taking few commissions and focusing on quality over quantity while staying in contact with the artists.My workflow usually goes like this:1) talking about the reference tracks you have, the general aesthetic and the mood;
2) working of the basic structure of the track;
3) focusing on the sound design;
4) mixing your voice into the track.°°_{NB: I need you to send me the files of you recordings in a lossless format (FLAC, WAV, or AIFF at 41kHz).}I DO NOT master tracks, the mastering process is an art on its own and I prefer leaving the mastering to the pros in this field.Contact me here if you are interested in this service.

• Ghost ProductionGenres I produce: G-House, Drum 'n bass and Techno. These three categories have a ton of different sub-genres, let's discuss together what you need and what I can do to deliver the best possible result.Contact me so we can talk about what you need and the deadline for the making of your next release.

Tutoring

I offer personal tutoring on different subjects: music production, mixing, sound design and audio/video interaction. If you are interested in studying a specific DAW (digital audio workstation) I can teach you how to use Ableton Live from the basics to the advanced settings. At the same time, if you are into programming I also offer a formation course in Max from Cycling'74. Max is a powerful tool for Audio and Visual programming, you can see how I make my own visuals here.So, summing up:
- Music Production;
- Mixing;
- Sound Design for Video;
- Ableton Live;
- MAX and M4L (Max for Live, Max's integration for Ableton Live that makes Ableton the all-around tool it is today).If you are interested contact me here and let's schedule a free 30 min talk in which we can discuss you goals and your current skill level.Click on the two icons to download Ableton and MAX:

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